Thursday, 20 March 2025
Full Frame and Every Day Carry - A Persistent Conundrum
Sunday, 16 March 2025
Decision Done
Tuesday, 11 March 2025
A Decision (Mostly) Made
Monday, 24 February 2025
Chasing the Dragon
Yeah, I'm bad for chasing the dragon. Legendarily bad in fact as I've been doing a constant round robin between Nikon, Sony, m43 and Fuji for over 15 years now since I got my G1 back in January 2009.
What is Chasing the Dragon though? It's when following 'the grass is greener on the other side' to the logical extreme. At one point I made 3 total system switches in a 1 year period. That's crazypants, but it's also a legacy of my unwillingness to accept that I both have bad Gear Acquisition Syndrome (GAS) and the perfect camera for me doesn't yet exist, nor does the perfect lens lineup.
Over the last few years I've been actively trying to stop and settle on one system. I almost achieved it with Canon, as I stuck with that system for 18 months (a recent record) and honestly only switched back to Nikon because I was unhappy with the adaptation experience for manual lenses on Canon, I was otherwise pretty happy with Canon (the bracketing UI aside).
The other problem is that I just don't deal well with having 2 systems. Or more correctly, I want to have 1 system/2 bodies in the field ideally when I'm shooting landscape/nature. Ideally with shared batteries (I rarely swap cards in practice so while I used to select for that, it's no longer a requirement so long as I have enough 128GB cards so every body has its own card(s). )
The problem is that right now my sole body is a high mileage body I bought cheap specifically as a body to use with my old manual lenses. I like the body, but it doesn't meet my video needs without me buying several additional accessories to rig it out (external display for starters) and I'm always cognizant that a camera with 316k shots on it may die on me. Plus I'd like some more performance for bugging/wildlife/aviation.
So what are my options?
I've really settled on 4 possibilities, and I'm about ready to narrow that to three. The plan really is to have 2 options when I'm ready to go to the local pusher.
The first is to do the obvious, stick with the Z7 and just buy a bunch of interesting glass. The downside here is just the usual Nikon issue, the lenses are big & heavy unless I buy some of the few DX lenses, and those are very consumer. But I do have the option to get a bunch of lenses I'd always wanted. I also have the concern that my Z7 will die at a point where I can't just buy another body, but the flip side of that is that most of my lenses will work on DSLR's and a D610 or D800 is stupid cheap, so it's unlikely I'd be out a body more than briefly even if it died at an inopportune time.
The second is to go Fuji. Keep the Z7 and use it primarily with my collection of manual focus FF lenses, even slowly adding to that collection, but the main system becomes Fuji. The biggest advantage here is that Fuji does have both compact offerings and all but 2 of their lenses are under $3k CAD, with the majority being under $1300 or so. Plus there's a wide variety of small lenses in the system, which is very nice. Biggest downsides here are processing X-Trans files (which I still don't love, but I can readily get good results from) and the pretty mixed selection of lenses in terms of rendering styles and resolution. The bodies available cover all my use needs, the X-Hx for fast PASM with good long-lens handling, the X-T series for retro/everyday use and the X-M5 as a small EDC/Webcam body. Fuji also gives access to the ridiculous number of cheap & interesting APS-C manual primes (and AF primes too),
The third is to add the Zf and a couple zooms, which is in many ways the Nikon body I always wanted. But here the big issue comes down to the Nikon lenses not being well optimized for that body. Specifically the lack of aperture rings, as well as control dials on the handful of smaller lenses in the system. 3rd Party lenses do make up somewhat for that (both size & handling) but the best lineup of 3rd party lenses for the Zf isn't available in Z mount, so you need a MegaDAP adapter to use them (that's the Sigma 'i' series primes). Plus the Zf simply doesn't have as well sorted a UI as the X-T5. The other issue here is the Zf is best suited to the use I bought the Z7 for, old manual lenses, and I kinda want to keep the Z7 focused on those uses. There's a half-step option here of getting the Z50II instead of the Zf, and focusing on APS-C for most uses. The Z7 is a solid APS-C body to cover the Z50II's weak spots (and vice versa for the most part). This would be better if I could expect a higher-end APS-C body from Nikon.
The fourth option is basically option 2, but Panasonic L mount. With the new S1RII arriving tomorrow with very aggressive pricing this looks even better than the third option for full frame for long term usage, with a wide variety of interesting glass existing in L mount, but we're still talking a large system, even if it's smaller than the All-Nikon Z setup. Could go S9 for a tiny body here, or S5II for all singing/all dancing with the view of adding the S1RII in the future as a resolution body to address the Z7's eventual demise. Lots of reasonably priced glass in the system, and some compact & excellent zooms as well.
Now the reality is that I don't need better IQ than crop can deliver, and Fuji offers me a more compact option than Panasonic. Nikon just doesn't offer a compact/high performance option (only the Z50II which lacks IBIS and a good EVF, both items I'm sensitive to).
What I really wish I could do is spend a week with an S5II, 20-60, 35/1.8 and Sigma 100-400, and a Week with the X-T5, 16-50 f2.8-4, 23/2 and Sigma 100-400 and see which I get along with better.
Regardless of what path I choose, I will continue to use the Z7 and add interesting primes to my system. I'll probably add 2-3 zooms as well eventually, likely F mount lenses I get for good prices.
Wednesday, 19 February 2025
Ponderings about Retro Cameras
Also, when the ZfcII comes (and eventually for the ZfII), give us a half-grip option with a shutter release and front control dial, like the OG E-M5 offered. That will be killer for these bodies with larger lenses.
If you wonder why all the retro musings, well I can't frikking decide whether I want a Zf or an X-T5. Or to be more correct, I want a Zf, but I want some of the X-T5 experience (UI fully sorted and lenses with aperture rings). I keep digging in and realizing the two best kits for me would be X-H2+X-T5 or Z7+Zf, in both cases with the small creator camera added at some point for video/light carry (Z30/Zfc or X-M5/XT-30II). The question if I go Fuji is how do I align the body selection/acquisition as I ultimately would want two bodies, but do I get X-H2+creator or X-T5+creator first, then add the other higher-end body afterwards.
Tuesday, 18 February 2025
More Musings - What Gear and Why
The time gap has me going in circles, as I'm WAY too much of a gearhead and almost every option I've looked at has something serious going for it.
So first up - My quick takes on each option/system:
Sony - Great lens options, The FF cameras in my pricerange all have rough edges for my uses, I massively dislike the handling of their APS-C options. My Partner has an A7II so lens sharing is viable. Don't love how the files render. Poor software but good customization. Best pre-capture in larger formats, limited computational features. Poor experience for adapted non-CPU lenses. By far the worst JPEG profiles.
Canon - This would work for me, but lens options are limited. I like the cameras, I like the lenses, but they don't excite me. Canon is very much the image making appliance. Really good, but boring. OK software and customization. Latest bodies have mostly workable pre-capture, very limited computational features. Only 1 crop body has IBIS, poor experience for adapted non-cpu lenses. Limited JPEG profiles, but what you get is VERY good.
Panasonic (FF) - In Isolation, this is arguably the best choice for me. Good bodies, good lenses, good handling, lots of interesting glass. But no APS-C options although the S9 is cheap enough to mostly cover the uses I'd otherwise look at a crop body for. Good software and customization. Best computational features in larger sensor formats and decent pre-capture. Good non-CPU lens experience. LUT support for JPEG makes JPEG profiles top-tier.
Nikon - Been a Nikon shooter since 1993. Love the lenses, love the ergonomics, Lacking in wide options and I'm a wide shooter. Lousy software & customization. (NB - Keeping my Z7 regardless for my legacy glass). Zf/Zfc have ergo/control layout issues but love the looks. Middling computational and pre-capture is crippled. No IBIS on crop. Good non-CPU lens experience, best manual focus aids (CPU lens only). Second best JPEG profile system, but worst marketed and limited community support.
Fujifilm - I love the body design options, although I still don't like the chiclet buttons on some of the controls. Love the lens lineup, lots of oddball lenses. Best screen setups on less expensive bodies, lowish cost of entry. I'm not a fan of XTrans for colour files, but can get good results. Top-Notch B&W. Best marketed JPEG profiles. Very limited computational options, decent enough software, good non-CPU lens support. Arguably the best selection of body styles for my uses in a single sensor size. Worst AF, but still usable. Good manual focus aids. Good customization, middling software.
OM System - Nice bodies, Expensive, most bodies have crap viewfinders even at higher prices. Great glass, small size, sealed. The best computational features by a mile. Decent software. SOmewhat limited lens options due to more limited 3rd party support. Biggest problem is a lack of second body option. Good non-CPU lens support, poor manual focus aids due to software limitations. Love the files, but limited IQ vs other options. Overpriced bodies below the OM-1. Very good JPEG profile system, in 3rd place. Good software & customization
Panasonic (m43) - Lead body is excellent, combining all the features of its FF cousin with an excellent m43 sensor. Good webcam body (limited but small & cheap), no retro type body/compact body in between the two right now. Becomes viable when the GX9 gets updated with the current internals as the old internals suck by modern standards. Good lens selection. Kinda chonky for the sensor size. Best JPEG profiles (sae LUT system as FF), good computational support, good non-CPU lens support. Good software & customization
So, next up is what are my use cases.IE what do I use my cameras for, and how does that impact my gear.
1. Landscape/Nature photography. Bias towards reducing carry weight here. Need wide/normal, macro and tele options. This is my main zoom usage.
2. Aviation - Mostly model aviation (I'm an RC'er) but also airshow. Good enough AF with long lens option and highish framerates. Takes a backseat to my other uses as I only do this a few times a year.
3. Street/Cityscape/Urban detail - Very prime oriented, compact preferred. Don't care about AF. My Z7 will remain lead for this with my old lenses, but whatever I buy needs to be able to do this. I like weird and cheap glass, so that's a must-have for the system (it's largely why I sold the R6 which I got along with decently)
4. Video - I have 2 needs here, portable webcam for work and fixed video for my RC-related youtube channel. Latter is a 'pretty much anything with a flip/twist screen' will work, but for the webcam I greatly prefer a camera which supports direct USB webcam streaming instead of needing an app only my laptop (which has been a persistent frustration for me with the Nikon's in particular). I'd prefer this be a second/third body though so I can leave it setup most of the time. USB power/streaming is the best case here.
So where does that leave me?
I'm striking m43 entirely, Sony and Canon. Panasonic doesn't offer me a retro style body and I really like those due to decades of shooting manual focus film bodies. Too bad, because otherwise it's a great fit.
I'm sort of looping around to Fujifilm again. I've not owned a recent body (X-T2 was the newest) and if the continuous AF is noticeably better than the X-T2 it should work for me. I like the lenses, love the handling and the files are acceptable. Plus there's lots of neat glass available, which I missed when I sold off the X-T2 and X-T1 to go back to m43 & NIkon. You can get a Fuji to Nikon adapter with AF as well. The main thing is that the X-M5 + X-T5 combo covers most of my needs, and the rest could be covered by an X-H body. The Nikon alternative is slowly settling on Z7+DX body (either Z50II as a do-everything or a Z30+future FX body to cover video now and a second carry body long-term).
Thursday, 13 February 2025
The Most Dangerous Activity
My OM-1 ownership was bookended by an A7RIV and Canon R7. I actually shot some of my all-time best work on that A7RIV, but that really was from a single trip to Algonquin Park and some shots with the SLRMagic 18/2.8 on an absolutely amazing cold February morning. The rest of the work is good, but not great. A fair bit of that is simply colour profiling though. I don't love the default Sony colour rendering and never quite built a profile that overrode it when the light wasn't golden.
Same for the R7, just without the 'best work' part. A solid body of work, nothing spectacular. Ditto the R6, although I didn't shoot landscape seriously enough with it to really get to know it.
The OM-1 work, as a whole, was simply more consistent. It is clear I did need to spend some more time with it as I wasn't getting quite what I wanted from the multi-shot modes and I think that's entirely a case of I didn't know them well enough.
The flip side is I also see the weaknesses in the files vs larger sensors. While I do love the results I got from the OM-1, I'd much rather work with my Z7 files and I like the Nikon results pretty much equally.
So did the trawl through the archives tempt me to go m43? Yep. But not quite enough this time.
Thursday, 6 February 2025
OM-3 Is out - My thoughts
OM-1, 40-150/4 Pro
OM System announced the OM-3 today, their new compact vintage styled camera.
And it's a brilliant camera overall. But it's got one screaming issue for me. The EVF is simply not up to snuff for a camera that costs more than $1500USD. It's an old 2.36M panel at an unacceptable low 0.69x magnification. Overall a worse spec than the E-M5II from a decade ago.
The good? Excellent build, it's the cheapest stacked-sensor camera on the market by far, which makes it also incredible in terms of performance, there is literally nothing at its pricepoint which compares except a used OM-1.
Control layout gives up a few items, but that's inherent to a size reduction. The new CP button allows direct access to all computational features (which I very much like), the on/off switch is still in a bad position (and I'm NOT giving up the Fn switch to fix that), JPEG dial is neat if you like that and like the OM-1II, the profiles are very tweakable even if not up to the real-time LUT system of Panasonic. Oh, and it shares the OM-1 battery and has a proper SD card slot (not in the battery compartment like the Zf/Zfc)
Cost is too high, as is usual for OM at launch. It will come down in 6 months.
No grip options, which is a pity, a 2-part grip like the early E-M5's offered would have been great here.
Also launched are updates of the 25/1.8, 17/1.8 and 100-400. The primes get sealing and the 17 loses the focus clutch, the 100-400 gets SyncIS but not saner pricing (as it's a Sigma rebadge and the Sigma version is half the price)
The verdict? A very solid effort and a great camera if you can live with the low-spec EVF that's the only real stripper aspect of the OM-3.
No, I don't plan on getting one. I skipped the E-M5 series after the MkII over the EVF and the OM-3 has the same EVF as those bodies.
Monday, 3 February 2025
Future Landscape/Hiking/Video Gear Pondering - Full Frame Edition
Sony A7RIV, FE 28-60
OK, so we covered crop options for Landscape/Hiking/Video uses.
Now let's do Full Frame.
First up is Canon. This would be a re-buy situation to some extent, as I just sold off my Canon gear. I'd definitely rebuy the RF100-400 and probably the 24/1.8 as well. I'd want the new 16-28 or the 14-35L and some mid-range option, plus a macro (likely the 100L in EF mount). Body would be either the R6mII or an OG R5. This would work pretty well for this, but I'd still struggle a bit with the lens line overall. Plus the limitations on assigning Bracketing to a button would annoy me just as it did on the R7 and R6. Possible only if I got a screaming deal on the body. R8 is an option for light carry here too (but limited/no IBIS and small battery).
Second is Sony. The most wide-ranging lens lineup, most lenses can be readily adaptable to my Z7 via the MegaDAP ETZ21 Pro adapter, and my partner still shoots an A7II. The downside is which body. The A7IV and A7RIV are really the two options here and I don't really gel with either of them. If forced, either would work adequately though, so I wouldn't be unhappy, just occasionally annoyed (especially with the Dust. Why hasn't Sony figured out sensor cleaning yet....).
Third is of course Nikon. There's two real problems with Z mount for me. The focus is on long lenses, not wide (and mine is the opposite) and none of the bodies quite fit my needs or wants. The Zf and Z6III are acceptable though and I could probably get away with either adapting some FE lenses on the wide end or getting the 14-30. One annoyance here is it seems Nikon is dead set on ensuring you have every single possible different filter thread you could possibly own needed for their lenses. Only the Tamronkors have consistent thread sizing (the 17-28, 28-75 and 70-180 are all 67mm).
The wild card is Panasonic. Over the last couple of years L mount has emerged as a real contender since finally introducing PDAF and addressing the AF issues for action shooting. They're still not top-tier AF, but they are at least as good as the non-stacked sensor Nikons. Plus the lens options are excellent and pricing is aggressive. The S5II covers my needs for a 24MP hiking body, and I can easily and relatively inexpensively put together a kit of 20-60, 100-400, 100 macro and 1-2 f1.8 primes, and every single lens on that list has 67mm filter threads. The bodies are very customizable, the S9 works as a light carry/B-cam and I have access to the top-tier Sigma lenses if needed (plus Leica if I want to be insane). The only real lack is high-MP options, and they're there just not cheap. The S1R update however should drop prices of the original and that would give me a 47MP option for tripod shooting. Plus the ability to load LUT's and apply to JPEG's gives the possibility of my post workflow dropping dramatically (you can convert LR presets to LUT's, then load onto the S5II, the S9 and the upcoming S1RII). Also the S5II costs as little as a Zf, except it includes the brilliant little 20-60mm in the package (and often adds the 50/1.8 for a very small upcharge). Get the 2 lens kit (20-60+50), add a Sigma 100-400 and the tiny and excellent 100/2.8 macro and I'm set. I could add the 18/1.8 later for a native fast UWA too.
End result, Panasonic seems to cover most of the requirements. Nikon is #2, Sony and Canon both viable if the right deal is found. Clear leader, but unlike in Crop, none of the options actually fail out.
Friday, 24 January 2025
Future Landscape/Hiking/Video Gear Pondering - Crop Edition
Thursday, 23 January 2025
Z7 Gear Plans
Nikon Z7, Tamron SP 90mm f2.8 Macro N-AF on FTZII
So, what plans do I have for the Z7 in terms of what goes on front of the lens.
Adapters:
The TTArtisan 6-bit M-Z Adapter is the first on my list. This is a major benefit if I want to expand my use of M lenses past my Nikkor-S.C 5cm f1.4 LTM and even worth it for just that lens as it enables EXIF data and trap focus.
Second adapter will be an EF to Z adapter, for my CV 90/3.5 APO-Lanthar SLII in EF mount. This is second largely because of the fact I also have a Tamron 90mm f2.8 Macro in N-AF form that I can use on the FTZ with the same functionality, but it's not as nice a lens to use even if it does focus closer.
Third will be an E to Z electronic adapter, so I can use pretty much any E mount lens. Probably the MegaDAP unless the recently announced Viltrox gets rave reviews before I purchase it.
Lenses:
Nikon F mount Manual Focus - Likely not much here. I want a 135/2.8 AI-S, a 28/2.8 AI-S and either a 85/1.8K or a ZF.2 85/1.4 Planar. There's a handful of other lenses on my 'buy for the right price' list, largely Zeiss although another Voigtlander 58/1.4 SLII in the original rubber grip version would be high on the list (and a 110, 125 or 180 CV would be interesting for the right price). However these are larger and handle less well on mirrorless so while I do intend to keep acquiring some slowly, they are not a priority.
Leica LTM/M lenses - I'd like to build a small system here. Likely going to be heavy on the Chinese offerings, the 7Artisan Wen 35/1.4 is high on my list and has been for several years. This will be a slow buy as these aren't exactly cheap, even if they aren't expensive
Native Z Manual lenses - I'm probably going to go hog wild on the cheap DX stuff, it's one of the main reasons why I went with the Z7. All sub-$250CAD though, no fancy DX, only cheap & fun. I'll keep my eye out for interesting FX glass though, there's a couple Voigtlanders that are on my long-term interest list like the 40/1.2 and the 75/1.5. Oh, and Laowa has some fun ones too. Long term the FX manual primes will probably become the real core of my kit outside of hiking setups.
Nikon F mount AF lenses - Not much will happen here. I'm only really interested in the f1.4's (aside from the 50mm's which are not impressive), the PF lenses and a couple telezooms (80-400G, 70-200's, 70-300E), with the latter as alternatives to expensive Z offerings for hiking. All cases have to be the right price before I'll look seriously.
Canon EF mount lenses - Aside from the 135L, most interest here is for ZE or CV lenses if the right price is in EF mount instead of F mount.
Native Z AF lenses - S 14-30/4, the two F4 midrange zooms, 180-600 all interest. For primes, the f1.4's again, the compact offerings and maybe the 20/1.8 and 85/1.8 S's (which are the most interesting of the f1.8 S line). Also the Viltrox primes and maybe the Tamron 70-300. We'll see how the lineup grows long-term. Plus there's a bunch of cheap AF primes coming out, they're of interest here (both DX and FX).
Wednesday, 22 January 2025
Some Thoughts on 'Soul' in Cameras and Lenses
Nikon Z7, Z 40mm f2.0
One thing I dislike about a lot of modern gear is that it lacks Soul. But that's not always a bad thing as well.
In order to understand this, you really have to figure out first what 'Soul' is to you in regards to camera gear. Then you have to decide when you want 'Soul' and when you just want a tool that simply delivers the goods.
For me, it's a fairly simple definition. It's the existence of flaws in an interesting but non-aggravating manner. Some of these flaws can even actually be pleasing.
The Sony A7RIV and A7II both have flaws and lack soul, because the flaws in question were either invisible to me for the way I work, or aggravating. A lot of the frustration here is just Sony's predilection for 'invalid operation' buttons (ie UI aspects that unexpectedly just don't. Some call this the S*ny effect for all the asterixes in their manuals calling out where settings conflict or disable items unexpectedly). Conversely the R6 didn't really have any flaws that aggravated me, it also didn't really have any that interested me. Same for the lenses, they were tools, nothing more. Good tools, but that's it (the R7 had both one interesting flaw, that weird rear control dial, and one aggravating one, the AF losing its shit when there's a busy background)
Conversely most Zeiss lenses have a specific rendering flaw that is exceptionally pleasing. This is a loss of contrast in out of focus areas as compared to the in focus areas. That creates the classic Zeiss '3D Pop' look, as opposed to the flat 'greenscreen' pop you get from a more perfect lens (such as the Nikon 135 Plena or many of the most modern Leica lenses). I prefer the rendering from the less 'perfect' lens, although I also see value in the more 'perfect' lens as it will never surprise you. The 'perfect' lens is a perfect tool, predictable and always delivering as expected. The less perfect lens gives some happy little accidents that result in more interesting images.
I'm in particular fond of lenses with some spherical aberration wide open, that gives that 'classic' fast lens rendering and few flaws. I also like lenses with good center performance and somewhat unique rendering elsewhere in the frame.
I don't like lenses that are just unsharp overall, or are both expensive and not generally flaw-free at f8. The flaws have to be interesting, not aggravating. Handling flaws are the same for me. Weird handling? Sure. Sloppy zoom or uncomfortable focus rings? No thanks.
I've long been fighting the draw of having a simple, effective kit and an 'interesting' kit. One part of this is I didn't until recently really understand when and where I preferred each half of that equation, or why that was the case. I think I understand it better and that means I know better how to build a kit that fits both needs I have.
In short, when I'm out shooting landscape/nature, I really want a kit that doesn't get in my way and lets me get the shot I need. That's generally a UWA that give 18-20mm or equivalent view, a normal-ish zoom and a close focusing telezoom capable of 300-400mm. The most wiggle room is in the first two, a UWA zoom and normal prime can work here, or a UWA prime and normal zoom. I think I prefer the latter these days.
However in and around the city, I want a small kit of primes that have some interesting or unique aspect to them.
The answer really is just two have 2 bags. One for Landscape/hiking, one for city work. The latter is the weird glass and the shelf cycles through it, the other one is the 'boring' lenses, or at least 1-2 'boring' zooms and 1 or 2 'interesting' lenses (UWA and macro or tele prime). Body-wise that could be either 1 or 2 bodies, but they have to be reasonably cross-compatible (mount yes, battery preferred, cards not so much a requirement so long as I'm not stuck buying weird or expensive cards)
Note I also do need a 'video' body for the Youtube tutorial videos I do, but that just needs a flippy screen or external display option, a reasonably close focusing normal zoom and a mic input, I don't need AF or anything else, so all sorts of oddball options can work there, even an old DSLR if it can take my Nikon lenses (so a Nikon or Canon)
Wednesday, 15 January 2025
Revisiting Old Takes on Nikon Z
The third was the utter lack of 3rd party support for Z early on, with RF getting 3rd party lens support first. Oh how that changed in 2020/2021 when Canon locked their mount out and Nikon became the default second mount for lenses (except for Sigma, who continues to prioritize L mount as their second mount and only dabbles in Z). Canon has started to open things up again, at least for RF-S, but still lags massively (and for the widely available manual uncoupled lenses, Nikon's far better implementation of the support UI remains a major advantage).
The fourth is one that has both been addressed and certainly remains. That's the Z5's pricing problem (which also affects the Zf to an extent as that's now Nikon's other real 'entry level' FX body offering SD cards, 24MP and a $2000USD or less price). While the 28 and 40 muffin lenses, and the newer 35/1.4 and 50/2.4 mostly address this for the normal to wide prime range, the zoom issue remains. Nikon NEEDS a good consumer UWA zoom (replacement for the under-appreciated 18-35G) and a consumer grade 24-85 zoom to slot in between the small but limited 24-50 and the more pricey and huge 24-200, or just a fair bit more expensive S-line 24-70/4. It's simply very difficult for a budget-oriented user of the Z5 to put together a zoom lens kit that is workable and isn't just a single super-zoom (albeit the 24-200 is remarkably good at what it does). The Tamron 70-300 covers the consumer telezoom needs just fine. Nikon also needs 1-2 smaller, slower telephoto primes to round out the inexpensive line (I'd say a 105/2.5 in the Muffin line along with an 85/1.4 to match the 35 & 50) and also UWA options, maybe a 20/4 muffin and 16 or 18/2.8 in the bigger but not as expensive as S line series (can't see this being f1.4). A 24/1.4 in the f1.4 line would be nice too. Although to be honest, the Viltrox 16/1.8 really covers the need for a good AF UW prime in the 15-16mm range for reasonably money.
Tuesday, 14 January 2025
Looking Back at Canon After 18 Months
After 18 months with Canon RF, what's my take on the system.
First off, if you are looking to get into FF mirrorless and cannot afford high-end glass or bodies, a used R6 or new R8 and Canon's consumer lens lineup is hands down the most complete offering available under $2K USD. Both Nikon and Sony offer mixed bags of body/lens selection while Canon not only has reasonably-priced zooms from 15 through 400mm including both super-zoom offerings, a super-compact kit zoom (24-50) and a normal kit zoom that's actually pretty good (24-105), and well-featured bodies. Only Canon offers a fully rounded consumer lens lineup for FF mirrorless, which is ironic since they also need it the least as they had that in EF mount and EF adapts very well to RF.
Nikon simply doesn't have anything zoom-wise except 1 super-compact offering (also a 24-50) and several super-zooms (notably a 24-200 and a 28-400), but no inexpensive UWA zoom, no inexpensive mid-range zoom and the only inexpensive telezoom option is a Tamron (70-300).
Sony has the better filled lens lineup, but their general mid-range zoom (28-70 OSS) is not nearly as good as the Canon 24-105 STM (shorter range, optically inferior), still relies on a Tamron option for that inexpensive telezoom and the UWA option really relies on finding an old ZA 16-35/4 cheap (which is VERY doable so I don't consider that a real limiter)
In terms of primes, all 3 systems do pretty well, except Nikon lacks an inexpensive UWA AF lens to compete with the Canon 16/2.8 or the Samyang 18/2.8 FE, and Nikon also lacks an inexpensive short tele like the Sony 85/1.8 or the Canon 85/2 Macro, but there the S 85/1.8 is not that much more money (used cost is about the new cost of the competition) and it's simply a better lens. Nikon also has some good 3rd party lenses here, so it's only really inexpensive & decent AF UW primes where there's a real gap. Sony's biggest issue is that their 28/2 and 50/1.8 are pretty lousy, but there's a wealth of better 3rd party options in the same price range (some of which are also in Z mount, none are in RF except a long out of production Samyang 85/1.4)
Nikon's got good body offerings though. Sony's body offerings are pretty much terrible in this price range (the A7C line is a disaster ergonomically despite goo dinternals) unless you track down an used A7III which is already inferior to the R6 or R8 in most regards. The Z5 is also better than the A7III as an all-purpose camera (better handling, better IBIS), but slower in AF and frame rate (I'd rather use a Z5 than an A7III, but the A7III is a better action camera, but the R6 is far better as an action camera than either Nikon or Sony offering). You can also readily get used Z6's and even Z6II's in the price range I'm talking about (essentially sub-$2K CAD, or $1599 USD or so, the cost of a new R8) and Z7's are also available here used, as are A7RIII's now. So for used, you have good enough options from all 3 makers, but new the best options are Canon followed by Nikon (given I cannot recommend the A7C series to anyone due to handling issues)
So in short, I think Canon does offer a lot at the range I was playing in. I tend to do mid-range gear for the most part, augmented by higher-end MF glass. Canon does really well at the first, but lousy at the second half.
I think that if the camera is a tool for you to get great photographs, and/or you want a solid selection of 1st party lenses that covers your needs at a diverse set of price points, Canon is hard to beat. The RF system from the R5/R6 onwards is just quietly competent and Canon offers the best all-round performance options at the lower end of the price range for FF bodies.
If you want some quirks or 'soul' in your setup, and/or want access to oddball & interesting lenses that are fun to shoot as much for what they do badly as what they do well, a better manual lens experience, inexpensive higher-MP bodies or the camera itself is part of your hobby, there's other, better options. Unsurprisingly, the Z7 hits on multiple aspects of that second list compared to the R6, and I'm definitely more of a category 2 shooter.
Monday, 13 January 2025
Z7 First Impressions
Nikon Z7, Z 40mm f2.0
So my Z7 is a high mileage unit in relatively good condition, very similar to my original D800 (even paid about the same, a low, low price). The idea behind buying it was half in getting something that could really spark some passion about using the camera, something the R6 didn't quite do (being boringly competent rather than quirky like the Z7) and something at a cost that made it not really worth selling if I decide to go elsewhere as a primary system (ie even if I did go Sony or back to Canon, I'd keep the Z7 as a crop/manual lens body)
Overall, it hands EXACTLY like the Z5. It does feel smaller to me though, as I'm coming from owning a series of relatively chonky bodies over the last few years (G9, then A7RIV, then OM-1, then R6 with the somewhat svelte R7 in between the last two). The Z5 had been larger than most of the bodies I was shooting before or alongside it, while the Z7 is actually on the smaller side of what I've been used to.
I still don't like the tilt-only display, and the front command dial is poorly located and somewhat hard to engage, especially with gloves. The rear controls are excellent and the two front Fn buttons are chunky and easy to feel/actuate.
Button assignment is a mixed bag, the R6 had more options overall, but lacked several critical ones for how I shoot (notably bracketing), but I do lose 2 buttons to bracketing (1 for the setting, 1 to engage burst). Overall it took much less time to get the basic button assignment sorted although I still wonder why there's an 'i' touch button on the screen right next to the physical 'i' button, both of which do the exact same thing. ISO and exposure compensation are also not assignable, which is two wasted buttons for me since I use Easy Exposure Compensation only (ie on the subcommand dial when in AE modes) and ISO is a rare enough change for me that I'm fine with it on the 'i' menu (I tend to just flip auto ISO on & off and otherwise let ISO drift within my preferred range). I'd probably leave ISO on the button though, it is useful unlike Exp. Comp.
The EVF is the excellent experience I remember from the Z5, distinctly superior to other similar spec panels and lagging only my OM-1 in quality (and the OM-1 is a higher spec panel). The R6 was good (better than Sony's equivalent for sure) but not this good.
I dunno why 1.2x crop mode disappeared. I rather liked that feature on the D800 and used it alot when I wanted speed or a touch more reach and didn't mind only getting 25MP (down from 36). Apparently it's not a thing anymore with Nikon as the Z8 seems to lack it as well.
AF performance is perfectly acceptable for single shot work. Don't think I'd want to shoot most action opportunities with it, but for most of my real-world uses it will do fine. A bit better than the Z5 from memory, which is to be expected (The Z7 has a faster sensor than the Z5, but otherwise very similar AF system).
Overall, I'm pretty impressed, this 'slow & unusable' body from 6.5 years ago is actually a pretty solid option. I rather wish it had been a viable option in the past, the card cost had always killed the Z's for me other than the Z5 due to the extra cost over an A7 series or R6 series, and the Z5 wasn't quite enough camera for me to re-buy as a primary. Having reasonably priced CFe options really changes the math there (especially now that I own a decent CFe card and won't have to buy another if I swap bodies around)
Saturday, 11 January 2025
Oops, I Did It Again
Friday, 10 January 2025
2024 Review and 2025 Goals
1. Reach 10,000 images shot on one camera system without a system change